susanlarsonauthor

The pretty good books of Susan Larson


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A Dear John Email to my Body on the Occasion of its 70th Birthday

 

 

Yo, Body!

 

I apologize in advance if you possibly get upset that I’m telling you this by e-mail, but my shrink says that meeting you face to face would be just too traumatic for me.

 

I can’t live here any more. I’ve done a lot of thinking and I decided it would be best if I moved out.

 

Now don’t get all bent out of shape, ha ha. Let’s just focus for a moment on all fun have we used to have!  The singing, the dancing, the running and jumping and skiing and riding horses and bikes. And the eating and drinking, the loving; the laughing and sweating and playing and working! Good times, good times!

 

But lately you have not been a fun body for me.  So many times I’ve wanted to take you off and hang you up in the attic next to that grungy old North Face down parka I wore in the 60’s. Because, let’s face it, you are really, really, past your Use-By.

 

You snore. Your knees creak. You’ve got purple veins on your legs and brown spots on your hands and you have flappy things on your upper arms and a potbelly. You’re a real turn-off, you know that?  

 

If you’re upset I’m sorry, but I am so not ready to deal with all your problems. I have my needs. I have my wants. Here’s what I  want: a new body. A trophy body.  One that looks good in a bikini. A body who understands all my needs and is capable of fulfilling them. I want more good times; sorry, but is that so terribly wrong?

 

I’m still young.

 

 Sorry if you’re taking this the wrong way.  Honestly. It’s not me, it’s you.

 

 

And, speaking of you, isn’t this breakup really better for you too? We have already drifted apart over the years, so why not make if official?  Different paths and yada yada yada.  Sorry if this offends you.

 

Have a Nice Day

Sorry

Me

 

 

 

 


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The World of “Sam (a pastoral)”

 

Four little country Hollows. They seemed like an endless universe for a couple of runaway kids– and their tireless, rampageous doublewide trash horse– to range around in.   What is so memorable bout those hollows?   

 

Farms. Woods. Freedom. Ancient trails that led somewhere or nowhere. Neighbors who liked to see us when we paid calls on horseback. Some creepy secrets. Everything we needed to find our hero selves.

 

There is something magic about your view of the world from a horse’s back. Your head floats a little higher off the ground and you feel a bit lordly. You can look all around you too,  because you aren’t the only one watching the road.

 

 Deer and other critters gaze mildly at that big centaur coming their way, and they don’t skedaddle unless you talk.  The world of nature enfolds you, and you start to be an animal for a blessed while.

 

You dare to turn onto those strange and alluring trails that you stumble across, even if the sun is sinking. One of you, if not both of you, always knows the way home, even in the dark.

 

Going back to my neighborhood as an adult, I see how tiny it really was.  Of course it has changed a lot. Much of the land is now posted.  Old houses are torn down and modern ones are built. Kids ride Quads or snowmobiles now, and the wild critters run when they hear them. But some of my neighbors have stayed on. We talk about the old days, the old places, the mighty deeds, the mighty steeds now all of them gone to their long homes. 

 

I have travelled the world. I still remember my little magic corner of it, and how it was when I claimed it as mine. I’m really glad I wrote it all down in “Sam.”

 

 

 

 


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Flow State: Finding My Zone

 

I am so interested in this state of being.  I have gotten into Flow State quite a lot, mostly performing as a singer in difficult operas; or horseback riding; I am always trying to return.

 

Flow State is also called “The Zone,” “The Groove,” or “Being Unconscious.” The official definition, by psychologists anyway, is that precise conjunction of a challenging activity with your capacity to perform it.  The task is hard but you know you have the chops to do it, and you are going to bring it with everything you have. You are neither overwhelmed by the difficulty of the task, nor bored because it’s too easy.

 

Peace, calm, ease of effort, take us over in Flow State.  We feel godlike. “It’s like the job was doing me, not me doing the job!” No grinding, no struggling, no forcing; and none of the sloppy carelessness and stupid mistakes that we make when it’s all just too easy.  Suddenly, Life is perfect, for this dance, this song, this game, this bike-ride.

 

 “I was outside myself,” “ I was floating,” “I just saw the ball! It was huge!”  “I was fully in every moment and I didn’t have to think.” “I just did it!”

 

You want to go there again and again.  You’re maybe even addicted; so you push for more, you dare, you risk. But flow state can’t be forced. You can tell when an athlete or an artist is forcing it beyond her capacity of the moment.  Performance is wooden, uncoordinated, mechanical, maybe physically damaging.  How to dig deep but still stay within yourself? And if you choose to stay within yourself, do you ever really find the true high of Flow State?

 

I go cycling with some older but dedicated enthusiasts.  They are friskier than me. Some of them are kind of maniacs. I have been told by my chiropractor that there is a limit to what you can demand of your body; staying in or around that limit will keep you healthy happy and long-lived. If you blast past that limit, the results are less good: you over-stress, you break down, you die sooner.

 

I am truly happy when I can go on a moderately challenging ride, making sure to warm up for the first twenty minutes even if my pals stampede out of the parking lot (I call this strategy ‘working my way to the back of the pack’), not feeling like I have to keep up with them, not mashing hard on the pedals, riding as fast as I can but not so fast that I end up as a basket case at ride’s end; to sweat and pant and live to cycle another day.

 

Some of my pals hammer; they push it all the time.  Sometimes I only ever see them in the parking lot. They ride hundreds of miles a week, and talk of nothing else but riding. They are so stringy and skinny they look like famine victims.  Or addicts.  

 

Are they addicts? Or am I taking it too easy? I tell myself I’m trying to pace myself in my golden years, while those skinny maniacs have blown through Flow State and are heading for a breakdown. Where is the good groove that lies between hanging back and working it so hard that you wreck your body? I will probably never know any more, because I am not going there. I don’t want to die sooner I want to stretch it out  for as long as I can.  I kind of want to do what feels OK– what feels, sometimes, like Flow State.

 

 

 

 


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“I Wish you were Somebody Else”

These words may be the  most murderous message one can deliver to another human being.  In “Sam (a pastoral)” my novel about horses and humans, those words are never said. But the protagonist, Ruthie gets a the unspoken signal from her Dad: he would have liked a better kid than the one he got.

When I was young, many folks thought that being harsh and judgmental with your children was something you did ‘for their own good.’ Belittling your kids was supposed to toughen them up for the inevitable hard knocks awaiting them in the real world.  Cuddling them produced adults who were soft, gay, dependent on food stamps, whatever. Today, at least among liberal thinkers, what was once a popular child-rearing method is called ‘abuse.’

In “Sam” there is a quiet, bucolic chapter called ‘At the Horse Show.’ In this chapter Ruthie, having bought the homely, cranky horse Sam, leaves him snoozing in the barn and goes to see a local horse show.  She is happy because she  is no longer jealous of kids who own horses – she has a horse now too, and he is wonderful in so many ways.

She forgets all those wonderful ways the moment she sees the pretty, graceful, shiny ponies the other kids have: their braided manes, dainty feet and sleek clipped coats. The ponies she used to dream about; just better in every way than hers.

She goes home and tries to pretty Sam up. She trims the mops of hair off his fetlocks. She cuts off his beard and whiskers. She braids his mane and hacks off half the hair on his tail, trying desperately to turn him into some other horse; but Sam is still Sam.  By the end of this fruitless makeover session, which Sam enjoys immensely, she figures something out: Sam is OK just the way he is.

Later in the book, there is a deeper echo of this story, as Ruthie and Bea Pilcher sit in Bea’s kitchen talking about the breakup of Ruthie’s family, and the terrible rage that has devoured her life ever since.  Bea reaches over and pats Ruthie’s hair and tells her she wished she had a kid like her.

This is the beginning of Ruthie’s return to herself. Somebody has said to her,  ‘you may be in a bad place right now, but you, as a person, are OK just they way you are.’


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The Joinup Begins: Sam Changes his Mind

In this vignette from “Sam (a pastoral),” both Ruthie and Sam forgo their first impulses, namely to fight; they stop a moment and re-consider each other and decide to try a little trust.

 

‘Sam sauntered down the barn lane like an old moo cow, his head bobbing between Evvie and me, his ears waggling back and forth in time with his strides. My heart was thumping about three beats per waggle. I led Sam close to the stave bench, then stood on it and slowly looped the reins over his neck.

Sam tensed up and rolled a spooky-blue left eye around to glare at me. He whuffed out hard through his nose as I undid the halter and lifted the crownpiece of the bridle up in front of his face…

Hmpf!” he said, and flung his nose straight up. How could he? After I had been so nice to him.

“Should I smack him?” I asked Evvie.

“I dunno, is be being bad?”

Was he? Or was he just expecting to get yarned around? We stood there another minute. The nose stayed up, the eye stared at me. Finally I took the bridle down and reached out nice and slow with my empty hand. I stroked Sam’s neck.

“Don’t worry, Sam.” My voice was shaking. “I won’t yarn you around, ever. Ever. I promise.”

That eye glowered down at me and I looked up at it. I kept stroking his neck. It was as hard as stone. Another long minute went by.

The eye closed. Sam smacked his lips and made a sound like a sigh. Did I hear him say,

“Tsk. Oh, all right, if it means that much to you.” Sam lowered his head. I held up the bridle again and he took the bit. I eased the crown piece over his ears, off side, near side. Sam sighed again while I did up the buckles; then the eye opened and looked at me. Not glaring…

Sam lifted his nose up close to my face. He sniffed my hair and my mouth and touched my cheek with his whiskers. I sighed and shut my eyes…’


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An Exerpt from “Sam (a pastoral)”

Sam arrives

Cousin Billy’s van pulled into the barn lane bright and early, at eight o’clock. Billy let down the ramp and led Sam out. Actually, Sam exploded out in one giant leap and never touched the ramp. He was quivering all over, bug-eyed, high-tailed and high-headed. He looked quite a bit uglier– and oranger– and wilder– than I remembered…

We led him out to the pasture, and in and out of his new stall a few times, and along all the fence lines, reading the how-to-settle-them-in-to-their-new-home instructions in “A Horse of Your Own” as we went.. .

Finally we turned Sam loose to investigate on his own. He did another complete tour of the pasture at a high-prancing trot, sometimes screeching to a halt, nostrils whiffing, eyes flashing blue, looking. He looked at the twelve Holsteins he shared his new home with; he looked at Connnor’s Holsteins in their pasture a half mile away; he looked at Byron mowing his hay, a little late in the season, down-hollow.

The only thing he ignored was us.

Pretty soon Byron chugged up on his tractor, parked it in the lane and walked out to meet us.

“Seen the van com up. Thought I’d take a look at your new pony. Built to last, ain’t he?”

I just nodded and watched my horse thundering around the pasture.

“You ride him over at Billy’s? How’s he go?”

“Goes good, Boy Jeez. Stops good too.”

“All you need.” Byron watched Sam some more, chuckled a few times, rubbed the back of his neck, then climbed up on his tractor and chugged back down to his haylot…

“When can I ride?” said Evvie.

“It says here we’re supposed to let him settle in for a day. Tomorrow. Or the day after. Then we’ll put the bridle on.”

How was I going to put the bridle on, was what I was thinking…

Read the rest of “Sam” free as a Kindle or Kindle app ebook. Dowload free Dec 12-13!


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“Sam (a pastoral) Free Kindle Book thru 12-13

“Sam (a pastoral)” is about a horse of no value, who has had it with most of the human race. Sam, the horse, is rescued from an uncertain fate by a child who is starting to believe she has no value.  Somehow this unlikely pair works out their issues, including:

1.  Talking back, make that screaming back, at her family when they belittle her most cherished dreams.

2. Refusing to be bridled.

3. Refusing to let go of an idea once it enters her head, especially if horses are involved.

4. Refusing to be shod.

5.  Sticking to her notion that the first rule in animal care is care.

6. Sticking to his notion that the first rule in human care is care.

By the turning point in this book Sam is doing the rescuing, because his child, Ruthie, has lost all sense of herself.  Her father has left the house for good; as a parting shot, he blames Ruthie and Sam for the breakup of the family.  Shattered by guilt and consumed with rage, she plunges into a dark winter of the soul that is mirrored by the worst weather their neck of the woods has seen in years.

Sam stands by his kid as Ruthie acts out in all sorts of awful ways. He forgives her tantrums, and pulls her out of her funk and back into the world of the living as a lush spring arrives. More challenges wait in store for the devoted pair, as Ruthie struggles to regain herself and to practice her own and Sam’s notions; that the first rule in the care and feeding of either humans or animals, is care.


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Are Horses Slaves?

 

I raise some questions in my book “Sam (a pastoral)” about how we treat animals and each other. Ruthie, my young heroine, loses her temper and takes it out on Sam. She tells no one, but the guilty feeling that the horse will always remember the abuse and never trust her again, is eating away at her.  After a bitter fight with her sister about the human and animal slavery, Ruthie asks her Dad to clarify this question for them. Here are a few bits Dad’s philosophy.

 

“When you face facts you see that Fear and Hunger are the only forces in the world. There’s no such thing as love. Nobody, man nor beast, works because he loves it.  I get up and commute to the office every day because I am afraid of getting fired and going hungry. If I could arrange things to suit myself, I wouldn’t have a wife and kids, ha ha, and right now I’d be asleep under a palm tree in the South Sea Islands, with a few lines out to catch fish for dinner….

 

“Every animal in the world–and we are animals too– is driven by Fear and Hunger and nothing else. Is that good? Is that bad? It’s just reality. Sam obeys you because the whip and the bit give him pain, and he fears pain…that’s the way the world works, for all of us….”

 

Ruthie absorbs several ideas from Dad’s lecture.  First, that her Dad does not love her or want her.  Second, that kindness doesn’t matter. As she lies sleepless in her bed that night she thinks:

 

I could yank Sam’s mouth and beat and starve him and it wouldn’t make any difference. I just believed all that gushy oh-my-pony-loves-me stuff so I could get to ride. What Dad said was true. Sam was my slave.

 

It takes a while for Ruthie to dig out from under this stark view of the world.  But we have hope that she is going to, because this view makes her feel even worse than she did when she was writhing with guilt about hurting her horse and betraying their bond.  But the questions remain in her heart, and ours: do we take care of each other, or do we exploit each other?

 

 

 

 

 

 


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Horse Interviews Human

During the week of Dec 9-13k that “Sam” is running free on Kindle (there’s an image!) Sam has graciously consented to  interview his biographer, me.

S: Why did you take so long bringing my biography to the waiting world?
B: Cut me some slack, I was singing opera and stuff.
S: Why are there so many human beings hogging the attention? I don’t think you put me into enough scenes.
B: You have the title role. You  had a large circle of acquaintance, people you liked. People you hated.  I needed to stuff them all in.

S: What inspired you to write this poignant and tender book?
b: You did.
S: And what were your major influences?
B: You were.
S: No, I mean your literary influences.
B: Early influences areAnna Sewell, who wrote Black Beauty, Felix Salten, who wrote Bambi, and  L. Frank Baum, who wrote about a talking horse named ‘Stampedro’ in “The Yellow Knight of Oz.”  Stampedro, like you, was cantankerous.  I am very fond of Jane Smiley’s “Horse Heaven.” These are all stories where the animals talk.
S: How does my biography compare with these classic works of literature?
B: Well, you talk too.  Are you trying to embarrass me in public?
S: Sorrrry. I just want to be immortal, like Black Beauty, Is that too much to ask?
What was it like when we met for the first time?
B: You were not what I expected. I was expecting a pony.
S: Well you weren’t what I expected either. I was expecting to go to, you know, to the Alpo factory.  So how did we join up?
B: We had a lot in common. We were stubborn and mistrustful at first. It could easily have gone the other way.
S: You were a considerate rider though, from the start.  I always appreciate  it when humans want me to do something, that they ask me nice. I don’t like being bullied, you know?

B: I have an aversion to that myself. But I remember trying to bully you a few times, when I lost my temper.
S: And how did that work out?